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     Sonics:  (Using sound as a tool...)

 

 

There are several descriptions and relics  that suggest the use of sound in both ceremony and ceremonial structures. Enough to suggest  that  the properties of sound were explored, understood and used by our ancestors.

 

The finely carved stone 'funnel' (right) is from early dynastic Egypt. It is currently on display in the Cairo museum.

 

 

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The Ancient Use of Sonics.

 

The power of sound has been demonstrated by opera singers who have been known, on occasion, to shatter glass simply by producing the correct sound. This effect was presumably already understood when the story of the 'walls of Jericho' was written.

 

- ... 'The 'Captain of the Host of the Lord' came to Joshua before he stormed Jericho and told him to 'circle the city for six days, and seven priests shall blow seven trumpets of rams horns, and on the seventh day, when you hear the trumpets, all the people shall shout with a great shout and the city shall fall down flat'.

 

Sonics are commonly associated in tradition with the lifting of heavy items.

A story was told by the local Aymara indians to a Spanish traveller who visited Tiahuanaco shortly after the conquest spoke of the city's original foundation in the age of Chamac Pacha, or First Creation,  long before the coming of the Incas. Its earliest inhabitants, they said,  possessed supernatural powers, for which they were able miraculously to lift stones of off the ground, which "...were carried [from the mountain quarries] through the air to the sound of a trumpet". (1)

 

 - Mayan legends says that the temple of Uxmal, Mexico, was built by a race of dwarves, which apparently only had to whistle and 'heavy rocks would move into place'. It is noticeable that if a person stands at the base of the pyramid-like Temple of the magician and claps their hands the stone structure at the top produces a 'chirping sound' (1)

 

 - According to classical Greek writers, Thebes, the capital of Boeotia...was founded by Cadmus, a celebrated Phoenician. It was finished off, the story goes, by a son of Jupiter named Amphion, who was able to move large stones to the sound of a lyre of harp, by which manner, he was able to construct the walls of Thebes. Appollonius Rhodius, who lived in the third century BC, poetically recalled in Argonautica how Amphion would sing loud and clear  on his golden lyre' as 'rock twice as large followed his footsteps'. Tradition surrounding Cadmus clearly indicate that Thebes was founded by Phoenician migrants who must have settled there in the third or second millennium BC.

 

- Phoenicia's oldest known historian, Sanchaniatho, spoke of the god Ouranus or Coelus founding the first city at a place called Byblos. He also said that one of the gods 'Taautus' (the Egyptian Thoth), founded the Egyptian civilisation. He also states that Ouranus 'devised Baetulia, contriving stones that moved as having life'

 

- In the early 20th century, a Swedish doctor is reputed to have witnessed stone blocks 1.5 metres in length and a metre in height and width, being levitated through the air through the process of sound. A full description of the event is given in 'The gods of Eden' (1)

 

 

Examples of sympathetic vibrations in structures.

The Albert hall in London contains the 'Whispering gallery', in which it is possible for a whisper from one side of the dome to be heard on the other.

The sound of a low spoken voice from the the 'Kings' chamber in the heart of the great pyramid resonates so that it can be heard clearly at the entrance of the pyramid. (personally tried and tested).

The Mayan temple complex, Chichén Itza, has a stepped pyramid called the Castillo. If a person stands at the bottom of the Castillo and shouts, the sound will echo as a shriek that comes from the top of the structure. If someone stands on top and speaks in a normal voice, they can be heard on the ground at a distance of 150 metres away. (1)

Near the Castillo is the great 'ball court' in which a soft whisper at one end can apparently be heard at the other.

At Palenque, in Mexico, it is apparently the case that if three people stand on top of the three pyramids, a three-way conversation can easily be held.

It is said that if a person stands at the base of the pyramid-like Temple of the magician and claps their hands the stone structure at the top produces a 'chirping sound' (1)

Hypogeum cavities.
 
 
The Hypogeum, on Malta contains a 'speaking chamber' is a hole in the wall carved with a rounded interior surface. The result is that anything spoken into it produces an echo which reverberates throughout the hypogeum. It is speculated that this hole was part of a ceremonial process. Several small chambers in the Hypogeum are also suspected of being used for ritual purposes as from within these cubicles, echoes from the 'speaking' chamber reverberate into a rhythm that is similar to the human heartbeat.
 

 

 

BBC NEWS Article: April 1998.

New research suggests that the ancient stone circles and burial mounds of north west Europe may have been designed to act as giant loudspeakers to amplify drums being played during rituals. Our science correspondent David Whitehouse reports:

Scattered across the landscape of north west Europe are prehistoric monuments from the Neolithic era. Stone circles like Stonehenge as well as covered burial chambers can be over 5,000 years old.

The stones stand silent in the landscape but a new study of these ancient structures has found that they possess some remarkable acoustical properties.

When Aaron Watson of Reading University visited a Neolithic stone circle in Scotland he noticed a curious echo which changed as he moved around inside the circle.

Tests with audio recording equipment showed that the large, flat-sided stones were positioned in such a way to reflect sound towards the centre of the stone circle.


But it is the Neolithic burial mounds that have the strangest properties. They usually consist of a long chamber which is reached by crawling through a small tunnel.

'I was amazed by these caverns,' said University of Reading physicist Dr David Keating.

'The caverns vary in size but their resonant frequencies are very similar. They would amplify a fast drumbeat producing enhanced sounds and echoes during rituals, he added.

Dr Keating suggests that the caverns are designed to generate an acoustic phenomenon called Helmholtz resonance - the hollow type of sound created by blowing a stream of air across the top of an empty bottle.

Calculations suggest that drumming at two beats a second would have caused resonance. Inside the dark chamber with its stale air and presence of the dead, the enhanced sound would have produced an unforgettable experience for Neolithic man.

Ref: http://news.bbc.co.uk/2/hi/science/nature/72494.stm

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 Metallurgy Astronomy Crystals Electricity Surgery Flight Cartography Magnetism

 The 'Rough Guide' to ancient sites from around the world.

References:

1). A. Collins. Gods of Eden. 1998. Headline book publ.

 

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