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Sonics:
(Using sound as a tool...)
There
are several descriptions and relics that suggest the use of sound
in both ceremony and ceremonial structures. Enough to suggest that
the properties of sound were explored, understood and used by our
ancestors.
The finely carved stone
'funnel' (right) is from early dynastic Egypt. It is currently on
display in the Cairo museum.
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The Ancient Use of Sonics.
The power of sound has been demonstrated by opera
singers who have been known, on occasion, to shatter glass simply by
producing the correct sound. This effect was presumably already
understood when the story of the 'walls of Jericho' was written.
- ... 'The 'Captain of the Host of
the Lord' came to Joshua before he stormed Jericho and told him to 'circle
the city for six days, and seven priests shall blow seven trumpets of rams
horns, and on the seventh day, when you hear the trumpets, all the people
shall shout with a great shout and the city shall fall down flat'.
Sonics are commonly associated in tradition
with the lifting of heavy items.
A story was told by the local Aymara indians to a Spanish
traveller who visited
Tiahuanaco shortly after the conquest spoke of the
city's original foundation in the age of Chamac Pacha, or First
Creation, long before the coming of the Incas. Its earliest
inhabitants, they said, possessed supernatural powers, for which
they were able miraculously to lift stones of off the ground, which
"...were carried [from the mountain quarries] through the air to the sound
of a trumpet". (1)
- Mayan legends says that the temple of Uxmal,
Mexico,
was built by a race of dwarves, which apparently only had to whistle and
'heavy rocks would move into place'. It is noticeable that if a person
stands at the base of the pyramid-like Temple of the magician and claps
their hands the stone structure at the top produces a 'chirping sound' (1)
- According to classical Greek writers, Thebes, the
capital of Boeotia...was founded by Cadmus, a celebrated Phoenician. It
was finished off, the story goes, by a son of Jupiter named Amphion, who
was able to move large stones to the sound of a lyre of harp, by which
manner, he was able to construct the walls of Thebes. Appollonius Rhodius,
who lived in the third century BC, poetically recalled in Argonautica
how Amphion would sing loud and clear on his golden lyre' as 'rock
twice as large followed his footsteps'. Tradition surrounding Cadmus
clearly indicate that Thebes was founded by Phoenician migrants who must
have settled there in the third or second millennium BC.
- Phoenicia's oldest known historian, Sanchaniatho, spoke of
the god Ouranus or Coelus founding the first city at a place
called Byblos. He also said that one of the gods 'Taautus' (the
Egyptian Thoth), founded the Egyptian civilisation. He also states that
Ouranus 'devised Baetulia, contriving stones that moved as having life'
- In the early 20th century, a Swedish doctor is reputed to
have witnessed stone blocks 1.5 metres in length and a metre in height and
width, being levitated through the air through the process of sound. A
full description of the event is given in 'The gods of Eden' (1)
Examples of sympathetic vibrations in structures.
The Albert hall in London contains the 'Whispering
gallery', in which it is possible for a whisper from one side of the dome
to be heard on the other.
The sound of a low spoken voice from the the 'Kings' chamber in the
heart of the great
pyramid resonates so that it can be heard clearly at the entrance of the pyramid.
(personally tried and tested).
The Mayan temple complex,
Chichén Itza, has a stepped
pyramid called the Castillo. If a person stands at the bottom of the
Castillo and shouts, the sound will echo as a shriek that comes from the
top of the structure. If someone stands on top and speaks in a normal
voice, they can be heard on the ground at a distance of 150 metres away.
(1)
Near the Castillo is the great 'ball court' in which a
soft whisper at one end can apparently be heard at the other.
At
Palenque,
in Mexico, it is apparently the case that if three
people stand on top of the three pyramids, a three-way conversation can
easily be held.
It is said that
if a person stands at the base of the pyramid-like Temple of the magician
and claps their hands the stone structure at the top produces a 'chirping
sound' (1)
The
Hypogeum, on Malta contains a
'speaking chamber' is a hole in the wall carved with a rounded
interior surface. The result is that anything spoken into it
produces an echo which reverberates throughout the hypogeum. It is
speculated that this hole
was part of a ceremonial process.
Several small chambers in the Hypogeum are also suspected of being
used for ritual purposes as from within these cubicles, echoes from
the 'speaking' chamber reverberate into a rhythm that is similar to
the human heartbeat.
BBC NEWS Article: April 1998.
New research suggests that the
ancient stone circles and burial mounds of north west Europe may have
been designed to act as giant loudspeakers to amplify drums being played
during rituals. Our science correspondent David Whitehouse reports:
Scattered across the landscape of north west Europe are prehistoric
monuments from the Neolithic era. Stone circles like Stonehenge as well
as covered burial chambers can be over 5,000 years old.
The stones stand silent in the landscape but a new study of these
ancient structures has found that they possess some remarkable
acoustical properties.
When Aaron Watson of Reading University visited a Neolithic stone
circle in Scotland he noticed a curious echo which changed as he moved
around inside the circle.
Tests with audio recording equipment showed that the large,
flat-sided stones were positioned in such a way to reflect sound towards
the centre of the stone circle.
But it is the Neolithic burial mounds that have the strangest
properties. They usually consist of a long chamber which is reached by
crawling through a small tunnel.
'I was amazed by these caverns,' said University of Reading physicist
Dr David Keating.
'The caverns vary in size but their resonant frequencies are very
similar. They would amplify a fast drumbeat producing enhanced sounds
and echoes during rituals, he added.
Dr Keating suggests that the caverns are designed to generate an
acoustic phenomenon called Helmholtz resonance - the hollow type of
sound created by blowing a stream of air across the top of an empty
bottle.
Calculations suggest that drumming at two beats a second would have
caused resonance. Inside the dark chamber with its stale air and
presence of the dead, the enhanced sound would have produced an
unforgettable experience for Neolithic man.
Ref:
http://news.bbc.co.uk/2/hi/science/nature/72494.stm
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